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crystvllized: vintage photography ☯✝
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sassyidle: OCD☼
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g-uys: h-omme
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kurt-cobain-is-my-nirvana: fagitsama: deadjosey: kristrauma: laconicllama: WHAT THE FUCK IS THIS HORRIFYING THING DYLAN holy shit I peed this is terrifying F UCK OMFG HOW DO I UNSEE THIS? I won’t sleep tonight…
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danbourke: Billy Apple, PAID: The Artist Has to Live Like Everybody Else (15/3/02), 2002. Screenprint and receipt; 420 x 295 mm. The proposition THE ARTIST HAS TO LIVE LIKE EVERYBODY ELSE functions as a statement in public space, claiming both the work’s and the artist’s rights to integrate into the reality of socio-economic structures. Formulated and displayed for the first time during the economic boom of 1985, this statement has kept its relevance in a variety of different contexts. In 1991 it appeared as a running text on an outdoor electronic signboard, placed on the façade of the Bank of New Zealand’s (BNZ) office in Auckland. It reappeared in 1993 on the back cover of The National Business Review, linking the art of business with the business of art. By 1993 the artist had attached this statement to his Paid series. In this ongoing project, Billy Apple offers for payment the invoices that he has received for a range of purchases from his day-to-day living. The collector pays the invoice and then receives it framed and mounted on a form titled Paid with the words ‘The artist has to live like everybody else’ written underneath. In these, Billy Apple shortcuts the usual processes of making art, earning money and spending it.
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crystvllized: vintage photography ☯✝
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